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Monday, June 6, 2011

Punch Needle Art Piece Now Stabilized & Acid-Free

My client, Christina from MA, sent these photos of a piece she had recently purchased that needed help:

Embroidery1       Embroidery2

It’s a beautiful piece, very well done by the needleworker, and I don’t think it was from a kit at all. The way the stitcher used a lot of different colors of silk thread for shading makes it special. The problem lies in the deterioration of the fabric she used to punch thousands of little loops through to create the picture. It’s dirty, has holes, and was attached by very rusty nails. The wood it was backed with is also acidic, and it needed to be off there as soon as possible.

removing tacks     tacks removed

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Pictured above are the nail tacks, and here is the wood the piece was tacked to. The plan was to make the whole thing acid-free and to stabilize it. The photos below shoe where, once the stitching was taken out of the frame, little pills came off and some of the piece was in danger of being lost.

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Now we get to work. First I took matching thread and sewed into the loose side of the picture (the side showing above.) A lot of sewing up into the layers actually secured the pills in place and kept more from coming off. Once I was sure that side was firm enough to add some border fabric, I took washed, unbleached cotton muslin and machine-sewed it to all four sides.

Below, you can see the new border fabric. Then the gray is the original fabric, which was trimmed a bit. You can see my seams on both fabrics. My finger is holding back a new cotton backing that was hand-stitched (at sides) to the piece (actually to the border near its seam, because the gray original fabric is still too unstable to hold new stitching.

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Next, a piece of foam core board (acid-free) is laid against the new backing, and the new border is laced fast to the back with cotton string. The edges are slip-stitched down:

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Here is the final result. Most was saved and now it’s in good shape for its future and ready to be framed!

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There are still a few places that aren’t 100% stable but once in a frame, it should be fine. Two reasons why these spots: 1) I wanted to save as much of the picture as possible, and 2) the backing on those spots was just gone and therefore the stitches had nothing to adhere to. I am going to tack the one on the right down more, for the framing. The other is fine for framing.

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